Jill Moser

Inspired by semiotics and independent filmmakers of the 1970’s, such as Stan Brakhage, Jill Moser explores the dynamics of communication beyond language through her paintings and prints. Moser’s compositions are subtle in their balance of positive and negative space and elegant in their organic, curvilinear form. Moser’s gestural mark-making serves not only as a documentation of the process by which she creates her work but also as a narrative of how the piece came to be either by her physical mediation of the materials and her movement or by the interaction between the materials the printmaking tools. By experimenting with different forms, techniques, and combinations of painting and printmaking Moser explores how mark making how mark-making effectively ‘arrests and action and holds it in its form.’